I attempted to watch another “new generation” Disney cartoon ¬†today, Simbad.
Fast-fast-fast action, that prevents me from feeling and imagining‚Ä¶ COLD
I switched off the TV, I jumped into my pants, I jumped into my Doc Marten’s, I went out, I jumped on a bus: today was the last day of the Sibelius exhibit in Ateneum museum. I still had time to catch it.
‚Ä¶ Did you know that beauty in arts can feel violent?
I arrived only 30 minutes before they closed the doors on the exhibit.
In 30 minutes my mind had to open so wide and so fast to so much beauty! that I ended up feeling dizzy.
There was for a start, this painting of a soprano singer – Aino Ackten – whom Sibelius enjoyed working with. She was the first opera singer from Finland to have become famous abroad. Among all the paintings of the exhibit, I felt this one had a peculiar power. The character in it had such a charismatic presence! An enigmatic lady with a secret to tell.
I discovered that Sibelius liked to surround himself with painters, poets; all artists who shared his world, up there, settled around the Tuusula lake. One of his closest friends was the painter Akseli Gallen-Kallela.. Think about it : several artists, several forms of art, inspired by a same environment, slowly shaping an artistic identity for Finland.
To Eero J√§rnefelt – Sibelius’ brother in law, the landscape of Koli inspired this painting.
To Sibelius, it inspired his 4th symphony :
Wide spaces, wide pieces of art.¬†‚ô£
Finland inspired Sibelius with its trees, with its swans, with its landscapes and with its quest for independence, which it acquired in 1917. Sibelius gave back to Finland a voice, made of notes and words. – Have you heard the ‘Finlandia’ symphony?
I was in the main hall, watching and listening to the orchestra playing Sibelius’ music on a wide screen, when I heard the voice that announced the closing of the museum. It had been 30 minutes – only 30 minutes! Yet I felt every particle of me had been fed. WARM